Directed by Fritz Lang, 1931
Not surprising that it regularly appears on the best films of all time lists. Working on the edge of filmmaking technology in sound, lighting, editing, and camera work, the movie is still so impressive and also remains a remarkable document of the era.
After establishing that the story is about the hunt for a killer of children, the movie spends most of the second act observing how the police’s obsessive search terrorizes the citizens of Berlin both by failing to find their man and by intruding on every aspect of public life. The criminal class decides that they must make it their business to find the killer to get the police to back off the constant surveillance and raids. Loved the scene that cut back and forth between the city leaders and the criminal bosses holding simultaneous strategy sessions in extremely smoked-filled rooms.
The ending was even more surprising. Instead of simply killing murderer once he is caught, the criminals and poor of the city hold an impromptu trial, complete with a defense attorney, to legitimize their execution of him. Although Lorre’s character insists that he cannot help himself, they argue that the reason they must kill him is because he will use the insanity plea to escape punishment and kill again. It’s the same argument I remember having in a class in college.
2022-11-28
Baylor Humanities Prof Alan Jacobs:
Students today … have grown up in a media environment in which, as far as I can see, language is almost exclusively used for three purposes: to praise cultural friends, to condemn or mock cultural enemies, and to declare the Truth. The idea that language might be used to explore a way of seeing the world without judging that way — without issuing a thumbs-up or thumbs-down emoji — is pretty foreign to most of them, especially since most of the literature they’ve been assigned in school is either intrinsically didactic or is taught to them didactically.
2022-11-30